Ania Lialina 

Mainly I work with installations, create objects. I'm engaged in performative practices. At the moment I'm interested in the restrictions (external, social, or administrative norms, and internal, psycho-emotional taboo and physical boundaries).

I was born in 1991 in Tula, spent the last 10 years in Moscow. From 2016 I´m enrolled in The Rodchenko Art School, workshop of Vladislav Efimov. The founder of the art center in Vladimir Apartment 210, a member of art groups K210 and Untitled. Curator of the land-art festival on the banks of the River Klyazma Clean field, 2019.

 

Exhibitions
Look at yourself. Gallery GROUND Peschanaya, Moscow,  August-September 2019.


Below the ground. Apartment 210, Vladimir, August 2019.


Maybe, it's not here. Apartment 210, Vladimir, July 2019.


OUT. Torgovye Riady, Vladimir, July 2019.


The estimated value. Maxim Boxer gallery, Moscow, July 2019.


Winzavod.Open: The drill. Winzavod, White Hall, Moscow, June-July 2019.


Moscow Immortals. Padick gallery,  Moscow, June 2019. 


Clean field, The land-art festival. Vladimir, June 2019.


Blind Spot. Ekaterina Cultural Foundation, Moscow, April 2019


Paradoxical hybrids. Hlebozavod Center for Contemporary Culture, Vladivostok, September 2018 - January 2019.


Сonservation. Maxim Boxer gallery, Moscow, December 2018 - January 2019.


Post-post text. Paradoxical and sincere history of the text in the images, told by itself. Ground Hodynka gallery, Moscow, October-November 2018.


Go into the light. The Rodchenko Art School, Moscow, June 2018.


Games on one’s own. Maxim Boxer gallery, Moscow, June 2018.


Art-lobster-tart. Gallery A3, Moscow, June 2018.


Rejection area. Maxim Boxer gallery, Moscow, June 2018.


Almost. Gallery Palto (Overcoat Gallery), Moscow, June 2018.


Winzavod.Open: Classroom meeting, Winzavod, White Hall, Moscow, June-July 2018.


Paradoxical hybrids. Electromuseum, Moscow, June-August 2018.


Laboratory, project of The Festival of contemporary arts Art-subject. Vladimir, April 2018.


Reverse perspective, The Festival of contemporary arts Art-subject. Vladimir, April 2018.


Olympics, mother’s lipstick, daddy’s underpants, one. two, three! The Rodchenko Art School, Moscow, March 2018.


The need for a museum. The Rodchenko Art School, Moscow, March 2018.


The desired and the actual / Theory and practice. The Rodchenko Art School, Moscow, March 2018.


Sing-song chart. Radio Città Fujiko. Italy, Bologna, February 2018.


Hangover. Maxim Boxer gallery, Moscow, January 2018.


Simple feelings. NCCA Arsenal, Nizhny Novgorod, July-December 2017.


Сoil spring, Open Moscow Bar, Moscow, December 2017.


The reductionist march. The Rodchenko Art School, Moscow, December 2017.


Games on one’s own. The Rodchenko Art School, Moscow, December 2017.


Can! Festival of Contemporary Art. Vladikavkaz, Derbent, November 2017.


Workshops`17. Over There, Where No One Dreams: from Sacred Geography to Non-Place.
MMOMA, Gogolovsky, 10, Moscow, July-August 2017.


Exchange. The Rodchenko Art School, Moscow, June 2017.


Ideas where are you. The Rodchenko Art School, Moscow, June 2017.


Post-Soviet body: choreography and performance. ZIL, Moscow, May 2017.


The Center of the latent image. Artplay, Pluton, Moscow, May 2017.


The Museum Night. Tsekh, Moscow, May 2017.


WORLD MACHINE. The Tula Historical Architectural Museum, Tula, February-April 2017.

 

Awards


Tretyakov prize 2018
The Unanimous prise 2018

Residencies


Laboratory of street art. Streletskaya 25, Vladimir, June 2019


Performance laboratory Dislocation, ZIL, Moscow, May, 2019
Garage Weekend Faculty, Garage Museum of Contemporary Art, Moscow, January 2019

Hlebozavod Center for Contemporary Culture, Vladivostok, November 2018
The Festival of contemporary arts Art-subject. Vladimir, April 2018

Teaching activities

Media art, BS program, Department of Journalism, RUDN university, Moscow 2019.


Workshop, The Rodchenko Art School, Moscow 2018/19.


Media art, MA program Digital Communications and New Media, The Russian Presidential Academy of National Economy and Public Administration (RANEPA), Moscow, 2018/19.


Paradox lab performance school, Hlebozavod Center for Contemporary Culture, Vladivostok, 2018.


Editing as a creation tool of performance. Center for Contemporary Dance TSEKH, Moscow, 2016.

@ Ania Lialina, 2018

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Email: a.o.lyalina@gmail.com           Tel.: +7 (964) 527 69 30